![]() ![]() After I am finished looking at the script I put it down and work on the camera. While he speaks to Atlantic City visitors I look at the script and fix the camera for the next round of filming. However, she is not an actress so what can we expect? When the Barron sends everyone to take a break I show him the schedule for the day and then head further upstage. She does not understand that she must not do that! It ruins the illusion. She has a tendency to look directly at the camera. The Barron thanks his talent, the Great Houdini and then reprimands America’s current (and annoying) obsession, Miss Evelyn Nesbit. I enter stage left after I push the camera onstage. Today we film at Atlantic City – a wonderful getaway for the affluent of the East Coast. It makes me respect him even more.Įvery day I go to whatever location we film at and work with the Baron on his projects. He just wants to feed and clothe his precious little girl. Plus, it is not that he wants to be wealthy for money’s sake. The only color that truly matters to the Barron is green and I am grateful for that. I will admit, it was a long-shot for me to apply for the job, but it was an even bigger risk for him to take me on. As a former stage-show producer for some of the biggest acts that Harlem, and really, all of New York, has ever seen, I had tons of experience with creating fantastic productions – naturally he hired me. It’s amazing! It is like watching a play, but the actors are not really there. ![]() He is responsible for creating “moving pictures” by using a machine that captures people’s movements on a film. ![]() I work with one of the most well known inventors and industry pioneers in the country T. Do I take pride in my position? You better believe it. I am one of very few people of color in the new industry of America known as the “movie business”. ![]()
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